Aahh, puppy!

This struck me as a nice follow-up to yesterday’s post. That had the sense of an eager puppy. This one seems more like a naughty puppy vibe. They make for a cute couple, but I get the sense she’s not entirely happy with him at this moment.

Me and my mistress

The title of the image is ‘Me and my mistress‘. It’s by the artist zephyrian Boom. You can see more of his work at Deviant Art (free login required). I originally came across the image at the Adore Femdom tumblr.

Mouseketease

I’m a little nervous about posting this. The lawyers for Disney are notorious assholes fine, hardworking people who fiercely defend their companies property. I’m sure this is both fair use as a parody as well as being a creative work in it’s own right. But while I’m masochistic enough to enjoy whipping, burning and piercing, I’m not masochistic enough to want to get involved in a copyright dispute with corporate lawyers. I may be kinky, but I’m not crazy.

Anyway, it made me smile, so I thought it worth sharing. You expect this kind of behavior from Bugs Bunny, or even Tom & Jerry, but it’s quite against type for these two.

Mouseketease

I found it on the ‘A Velvet Underground‘ (aka Obey or Else) tumblr. The tag is hard to read but I think it is Twisted Terra. Unfortunately I can’t find an artist site under that name.

Contemplating the situation

This young lady appears to be taking a moment to pause and reflect on the situation in front of her. I’m not sure if it’s intended to represent a moment before, during or after the use of that whip. Whichever it is, I like her air of calm contemplation, with just a hint of what could be amusement.

Artwork by Leone Frollo

This lovely watercolor is by the Italian artist Leone Frollo. The Femdom Artist site has a selection of his other works available.

Estrogen and subspace

While I was writing yesterday’s post on the brain’s response to pain I stumbled across another related article. It addresses the hoary old argument of pain tolerance in men versus women. It’s commonly said that women have a higher tolerance and this article claimed to have found a reason for that – estrogen.

One way estrogen helps women to cope with pain, he says, is by increasing the availability of endorphins — brain chemicals that help dampen the pain response.
When estrogen levels are high, there’s an increased number of areas in the brain where endorphins can “park.” The more “parking places” available, Zubieta says, the more endorphins there are on call, waiting to flood the body with “feel good” chemicals capable of overriding pain signals.

According to the article in yesterday’s post, brains all react to pain in a similar way. How individuals respond is down to social conditioning and secondary factors like the production of endorphins. And based on this article, women have a natural advantage on the endorphin front. When it comes to bragging rights, I’m not sure this really helps. It implies that it’s not down to simple mental toughness or fortitude. Women (in general) just have more natural opiates floating around their brain.

More pertinently, for the purposes of this blog, it makes more wonder if women tend to experience a more intense subspace. The rush associated with endorphins is a big part of subspace, and having more on tap would suggest a potential for a deeper experience. The fight or flight reaction is also part of getting into subspace, and that’s another thing men and women experience differently. Both sexes produce cortisol from the adrenal gland under stress, but women produce more oxytocin which counters the effect of cortisol and creates more relaxing and nurturing feelings. I know from personal experience that my subspace contains elements of all these things, from the rush of endorphins through the edginess of adrenaline to the calmness of oxytocin. But if men and women typically produce different proportions of these it would suggest the subspace they experience might typically be different as well.

Whatever the science of all it – and I’m most definitely not an expert – it does give me an excuse to feature some hot F/f artwork.

You talk too much honey by Shiniez

This artwork is by Shiniez and you can find a lot more on his Deviant Art pages.

Little Gay Girls

I always enjoy the odd fetish artwork often found on old pulp erotic novels. From what I’ve read on the history of these things, there was often little connection between the title, the contents and the cover. The publisher would slap together whatever he thought would sell. In this particularly case the title and the artwork seem particularly badly matched. The four predatory female figures are clearly neither little nor young girls. I guess they could be gay but, if so, I’m not sure why they’d be dressed like that or focused on the hapless male. I’m guessing readers of these books probably weren’t looking for too much logic in their erotica.

Little Gay Girls pulp novel

I’m pretty certain the art is the work of Eric Stanton. I found it on the Fetish Sleaze Art blog.

Tidying up the art gallery

After adding Jay Em to my Femdom Art pages I took the opportunity to browse through the other artists and do some clean-up. I was astonished how many dead links there were. It’s kind of depressing to see how ephemeral the internet can be. The anal retentive geek in me expects everyone to keep everything exactly as I found it.

On the plus side, as part of the updating process, I did discover a few interesting new links. In particular I found new sites for Gene Bilbrew, Bernard Montorguiel, Rubex and Eric Stanton. I also stumbled across the interesting Retroyguy site and a fine obituary for Eric Stanton. Hopefully every link on the three artist pages should now be live and useful. Feel free to leave me a comment should that prove not to be true.

I’ll leave you with a couple of images from Bernard Montorguiel. I particularly enjoyed the first one. There’s quite a lot going on in it. There’s a picture of a mistress with some strange floppy gloves, a bunch of animal faced slaves, a forceful maid and an excited slave. I can’t say it does much for me erotically, but I am intrigued by what buttons it was pushing for the artist. The second image is a little more conventional, apart from the odd burglar mask being worn. That looks about as useful a disguise as Clark Kent’s glasses.

Bernard Montorguiel Artwork

 Bernard Montorguiel Artwork

The mystery of the disappearing dildo

I’ve never read any of the Harry Potter books, but a reverse image search tells me this is fan art featuring two of the characters – Harry and Ginny. Presumably she’s showing him her latest magic trick. Using just an ordinary school tie and a completely conventional strap-on harness, she can make her magic wand disappear completely from view. It’s a neat trick, but I’m going to bet that Harry has a fair idea where she has hidden it.

Ginny Pegging Artwork

I’m afraid I don’t know the original artist. I found it on the Felm Cyber tumblr (originally larger version available here).

Guilt+Force=?

This is continuation of yesterday’s post on ‘force’ based scenes, originally triggered by this post by Stabbity. Reading those first will probably help this make more sense.

Force in a BDSM scene can undoubtedly be very hot. For one thing it suggests passion and emotion. As a submissive being on the receiving end of that is energizing. It’s hard to be forceful towards something you’re indifferent about. Force in a scene also brings in ideas of objectification and control. A lot of BDSM toys are about removing some element of control, whether that’s over motion, speech, sight or sphincter muscles. Force can be a further extension of that, removing the ability to control consent, albeit in a consensual non-consent kind of way.

I get all those aspects of force in a scene. The one associated aspect that does puzzle me is the idea of removing or shifting guilt. This came up in the comments to Stabbity’s post.

I also feel that the use of force enables a sub who is ashamed of a certain desire to experience it without guilt. I see it most frequently in regard to forced bi scenarios. The sub wants it but doesn’t want to admit (either to others or to himself) that he wants it. So by passing off the responsibility to the dom, he’s essentially free to indulge without worry.  – roo-roo

This is a view I’ve seen expressed many times in the past, and I have to say I don’t get it. And I mean that in the ‘I personally don’t understand’ way, not in the ‘it’s wrong’ way. Can guilt be really shifted so easily? Mixing the complex emotions of a forced BDSM scene to a genuine sense of guilt sounds like a combustible emotional mix. If a traumatic childhood experience with a Salvation Army lady had left me with fetish for stealing from charity collection boxes, I’d (hopefully) feel very guilty about that. Would dragging a domme into my coin pilfering schemes make me feel any better? Can guilt be shared or even shifted like that? It seems such a reductive view of an emotion. Perhaps it depends on someone’s ability to compartmentalize and buy into their own stories and fantasies. Maybe if I roleplayed in scenes I’d understand this better.

As I said, it’s not an unusual or uncommon view on force in scenes, but it does leave me scratching my head. Perhaps the fact I’m not an emotional masochist may have something to do with that. While I ponder that, I’ll leave you with another fun piece of artwork, this by Kami Tora. Not quite as overtly physical as the Stanton drawings from yesterday, but it does have some nice hair pulling and forceful pegging.

Kami Tora forced pegging scene

Use the force

Stabbity has started an interesting discussion on ‘forced’ scenes over on her blog Not Just Bitchy. There are a lot of ideas worth digging into, both in the post and the comments. For the moment I’ll start with her basic idea, which is that the fantasy of being forced to submit (imagine quotes around that if you prefer) is partly a fantasy about submission and domination being easy. It removes the risk of screwing up on both sides of the D/s equation. I kind of get this from the dominant point of view, but I’m not so sure about the submissive side.

For a dominant there are always a lot of choices in a scene. Just picking up a bundle of rope raises issues of where to tie it, how tightly, what to attach it to, when to loosen it, etc. And that’s before anyone has even been hit, shocked, pierced or penetrated. Adding force into the mix adds a safety margin to decisions. It suggests that the scene isn’t primarily for the benefit of the submissive and therefore there’s less to get wrong. If that wasn’t enough warm-up for you or that penetration was a little rougher than you like, well that’s just tough. I’m forcing you to do it.

On the submissive side I’m more skeptical, because personally I don’t worry all that much about screwing up in a scene. That’s not to say I’m some perfect submissive. I worry about communication. I worry about the intensity I can take. I worry about getting a cramp after we’ve spent 30 minutes getting me bound in just the right position. I worry about a spider scuttling across my naked body when I can’t move. But all these things are just as much an issue in a forced scene. I’ll safeword out if a major limit is exceeded whatever the nature of the scene (particularly if arachnids have decided to crash the party). Similarly the quality of my communication isn’t affected by being forced. I worry about being a good or a bad submissive, but not typically about screwing up.

That’s not to say force doesn’t offer some interesting possibilities for the submissive, but I’ll save further thoughts for another post. In the meantime I’ll leave you with some artwork by Eric Stanton. He was always a great illustrator of powerful forceful women who could physically bully and dominate weaker men.

Eric Stanton artwork from his story entitled 'Bonnie and Clara'
Eric Stanton artwork from his story entitled 'Bonnie and Clara'