This 1897 portrait, by the famous American artist John Sargent, is of a Mr. and Mrs. Stokes. It’s unusual for the era, with Edith Stokes front and center in casual street clothes, while her husband Newton takes a more passive background position.
I love the dynamic, with the wife full of life and confidence in the center, while he adopts a neutral, almost servant like position. The same dynamic and energy captured in a modern photograph wouldn’t look out of place on my femdom social media feed.
According to this article it was originally supposed to be a more traditional painting, featuring her in an evening gown standing alone near a small table. It was Sargent’s idea to switch to street clothes and pose her petting a Great Dane.
But when the dog became unavailable the day Sargent went to fetch it, it was Newton himself who, as he writes, “had a sudden inspiration, and offered to assume the role of the Great Dane in the picture”
Given the dynamic of the picture, and the fact the husband was inspired to take the role of a dog / supporting accessory in the picture, one can’t help but wonder if there was a hint of femdom in their relationship. This article on the pictures expresses the view…
Newton was ahead of his time, confident and secure enough to be relegated to the literal shadow of his wife.
Which may well be true, but it might also be true that he actively enjoyed that role.