No Heavy Breathing

Good news for German kinksters. The Berlin bondage studios are open again for business. They’d originally been shut under an order that covered brothels, but a court has decided that the order was discriminatory. Brothels remain closed, but bondage studios and massage parlors can reopen.

Given that yesterday Germany had 569 new coronavirus cases, compared to the US single day tally of almost 70,000, it’s not surprising they’re starting to relax restrictions. However, I do find the logic of the court somewhat odd.

Brothels were different for other reasons, the court added, including the fact that sex involved a dramatically elevated breathing rate, which increased the risk of spreading infection.

I’m going to guess the judge behind this ruling has never been involved in a BDSM scene. Elevated breathing rates are very much part of them. Being beaten, shocked, pierced or trampled will tend to do that to you. I’d also suggest that people screaming and moaning are both common in BDSM and great ways to spread a virus. Even breathplay, which sounds like it’d be safe, isn’t great. There’s nothing like an extended period of no breathing to encourage the taking and expelling of great gulps of oxygen when the chance arises.

Here’s at least one way to reduce the chance of viral transmission. Artwork is by Zblabla.

Dronification

I love the fact that after many years of immersion in kinky culture I can still stumble upon new things. For example, I give you the kink of dronification, which is totally new to me. In hindsight it seems like an obvious combination. Obedience, latex, objectification, submission and hypnosis are all hot button kinky topics. Why wouldn’t people put them together? The hive dynamic, with it’s singular queen and mindlessly obedient worker drones, is ripe for twisting in this way. Plus, its masks and visors make it totally suited to a world of coronavirus.

This image from Reflective Desire isn’t strictly a dronification image, but it has a lot of the elements. There’s latex, objectification, submission and all sorts of fun stuff going on.

If you like this image I’d urge you to check out the Reflective Desire site. They have a ton of great content like this.

Howl at the Moon

This NYTimes article on wolf-kink erotica and copyright battles is nothing to do with femdom, but too fun not to share. I love stumbling on these odd kinky niches that people are incredibly passionate about. It’s like exploring an ancient underground lake. There’s a small innocuous looking entrance hole on the surface but when you drop through there’s this huge complex space with all sorts of weird evolution happening in the depths.

I did search for wolf themed femdom images but, while it might be popular in the printed word, it’s not a major porn theme. Instead here’s the domesticated equivalent. I do like the fact she’s letting him crawl on the grass rather than the stony path. He must have been a good doggy.

Once again the image search engines have failed me on this one. I don’t recognize the domme or the location. If anyone can help me attribute it, feel free to leave a comment.

A New Take on the Easter Bunny

Personally I don’t celebrate Easter. I’ve no children and no belief in God. However, if I did decide to partake, then having a lady deliver me an Easter egg stuffed with pornography would be a pretty good starting point. That was the plan of a woman in Florida who allegedly wanted to educate people. You’d think people would be grateful for some entertainment while they’re stuck in quarantine at home but apparently that’s not the case, as she’s now been arrested.

There’s not a lot of good femdom themed Easter imagery, with the possible exception of the bizzare but entertaining photograph I posted last year.  For this years post I’ll go with an image Mrs Athena De Sade – very much from Belgium and not Florida  – shared on her twitter feed. This is her with a beautiful but subdued submissive bunny.

You can see more from Mistress Athena on her website. She primarily sessions from an Antwerp location.

Pony Patronage

At the start of the year I posted artwork from Michael Manning that was commissioned by @DrPonyBatBond, featuring him with Mistress Michelle Lacy. I mentioned at the time how happy it made me to see someone actually paying an artist to celebrate their kinks and relationships. What I hadn’t realized was that this was not a first. DrPonyBatBond reached out to me and mentioned that the Michael Manning illustration was just one of over sixty similarly themed pieces that he’s commissioned over the last few years!

If you’re interested in seeing more of the pieces and hearing the background to them from DrPonyBatBond and Mistress Michelle Lacy, then Dirk Hooper has an excellent article on them here. It features more of the art and interviews with the two featured subjects. They’re a nice example of how a professional relationship can, in some cases, be a rich and nuanced one.

There are so many fun illustrations in the article that it’s hard to pick a favorite to feature, but this one by Moon Eater did catch my eye. It has a nice blend of the playful and the serious.

Strange Comfort

I’ve been in a bondage frame of mind recently. I think it’s the cold weather. There’s something comforting and relaxing about certain types of bondage. Almost like being gently hugged. That sense of relaxing into an embrace, with no further thought being necessary. Some people like to avoid the chill by cuddling in front of a roaring fire. Others tilt towards layers of rope, tight leather straps and isolation hoods. I think my dream scenario would be to combine the two, with heavy bondage and cuddling in front of a roaring fire. I really need to make that happen someday.

This image is by the artist Harry B, sourced via this tweet.

Black, White and Leashed

This fabulous image comes courtesy of Mistress Lucy SweetKill via this tweet. It’s a common trick to convert explicit shots to black and white in order to make them look more ‘arty’, but this has clearly been constructed from the start with a monochrome palette in mind. The elegant simplicity of the outfits paired with the blank but shaded background work beautifully. 

I particularly like the contrast between their universal body language and the extremism of the appearance. A dog walker’s attention being caught by something while the dog pulls ahead on it’s leash is a common sight on city streets. Deploying that body language here makes an otherwise stark and fetishistic scene so much more human and relatable. 

Fetish Pony

Fans of fetish artwork will recognize the distinctive style here of Michael Manning. He’s the creator of well known series Tranceptor and The Spider Garden. What I particularly love about this specific piece is that it’s a commission by  @DrPonyBatBond, featuring him with Mistress Michelle Lacy. In a world where content creators have to fight to get paid for their work, and erotic content is constantly being stolen, it’s great to see someone commissioning original artwork from an artist they admire. The nature of the piece and the kinks involved also fit beautifully with the artists personal style, resulting in a very memorable image.

If you’d like to commission your own piece from Michael Manning, then his commission page is here. Alternatively, you could subscribe to his Patreon here.

Use Your Words (revisited)

My safeword post from last week generated a number of thoughtful comments. The general consensus seemed to be that simple open communication was a good way to go and that safewords didn’t need to be particularly original.

poe2600 raised the interesting point that most submissives are very resistant to using safewords, even when they probably should. I think there’s a good deal of truth in that, although there always exceptions. I remember one pro-domme telling me about a client who she call the traffic light guy. He thought he should accompany their entire session with a constant stream of  ‘green… green… yellow… green… yellow… red! red!… yellow.’ Needless to say that wasn’t exactly conducive to a good D/s dynamic. Exceptions aside, I think it is true that there’s a natural inclination to try and avoid breaking the flow of play with a safeword. Which makes for another good reason to use your words and communicate in a more graduated and subtle way than a simple go/stop approach.

The trickiest situations for me are those where I see a possible problem arising later in the session and have to make a judgement call on when or if to call it out earlier. Typically this is when complex bondage and layered sensations are involved. For example, playing in NYC earlier this year I had a situation involving some particularly painful nipple clamps, a straitjacket and a lot of leather straps. Nipple clamps are usually painful going on and off, but become numb when on. These were not reacting like that. The pain was high and not diminishing, but it wasn’t yet at my stop point. However, the domme was about to tighten the straitjacket over them and I could see a lot of leather straps ready to go around it. Adjusting the clamps when they were hidden under all those layers would be a significant undertaking.

My solution in these situations is always the same – given the domme the information and leave the decision to her. I might be misreading her plan and adjusting later will be easier than I expect. Or she might prefer to push on and deal with any adjustments if it becomes necessary. In this case I told her that they were intense and bearable for a short period, but possibly not something I could handle over an extended period. She then elected to swap them for a different pair before pulling all the bondage into place. The remainder of the session then unfolded flawlessly.

These situations are always tricky because they’re not a simple binary choice. I also don’t want to be another traffic light guy and overload the domme with feedback. It’s ultimately a judgement call based on the the likelihood of needing to adjust something and how difficult it looks like that adjustment will become.

I’m fairly certain this shot of bondage and nipple torture is of Domina Yuki. That’s not me in the photo, but I’ve done a very similar scene in that space.