This post risks making a lot of pro-dommes very mad. I’m going to go out on a limb for my readers here and talk about a very taboo session activity. Something that almost all professionals will say absolutely never happens with any of their clients. Yet I’m here to tell you that just sometimes, if the mood and dynamic is right, if the right level of trust is established, it can happen. The submissive might actually be allowed to pick the playlist for the session music.
I know this to be true because – in the immortal words of the Penthouse readers letters page – I never thought it would happen to me, until a mysterious but very attractive lady propositioned me with it sometime last year. I say mysterious because I’m definitely not going to say who it was. I may be crazy enough to risk the general wrath of pro-dommes with this post, but I’m not going to risk the very specific wrath of someone who I may session with in the future. I’d hate for this to come back and haunt me when I’m naked, bound and she has me quite literally by the balls.
For those readers who have never done a session with a pro-domme, I should make clear that background music is the one true constant of sessions. More so than black dungeon walls, leather cuffs and incomprehensible controls on janky showers. I don’t think I’ve ever done a session without some sort of music. And given that pro-dommes are inevitably younger and hipper than I am, rarely have I any idea what’s being played. Typically it’s a grab bag of electronic, ambient, dance, industrial and obscure indie. Good for drowning out screams, but not exactly my kind of jams.
With the domme in question – who I should make clear is still very much younger and hipper than me – we actually share some musical interests. Which is how I came to get my ass beaten to some choice selections from the early oeuvre of Iron Maiden. Personally I think the energy and tempo changes in Phantom of the Opera make for great session music, but I’m not going to hold my breath for it to catch on more widely.
This image of a puppet pianist comes from the photographer Konrad Bak.