Spend your budget wisely (part 3)

Here’s a final few thoughts to conclude my theory of the submissive ‘stress budget’. See the earlier parts here and here.

Phil raised an excellent point in a comment on the first post: The submissive’s budget can also be diminished by stress and overload from daily life. Sometimes kink can be a release from that pressure, but in other situations it’s necessary to take it slowly and allow more time to grow the budget as play unfolds. It also mean a submissive has a duty to perform self-care and be aware of their own mental state prior to playing.

I hope all my readers understand that the budget concept I’ve described is meant very much as a thought experiment and a theoretical way to think about more complex scenes. I’m not suggesting submissives start negotiating scenes by saying their budget today is 75 and while caning is down 10 on the stress-o-meter, whips are up to an expensive 45. I’m also not suggesting that dommes keep a running budget count in their head during play. This is just a possible abstraction for thinking about limits in a slightly more realistic way than the traditional hard/soft definitions.

Finally, if anyone new to kink and femdom is reading this and thinking that it all seems very complicated and somewhat daunting, then all I can say is please disregard everything I’ve written. You can absolutely ignore all this and have an amazingly fun kinky time. Just grab your partner by the balls, bite his neck and whisper that he’s your slut puppy in his ear. I’ve played for years without caring about any of this and had some amazing experiences. You don’t need to understand film theory to enjoy a great movie, and you don’t need to deconstruct kink to enjoy dominating or submitting to someone.

In line with that idea, and as a change from the last couple of crazy kink images, here’s a simple shot to finish on.

I believe this is the actress Giovanna Ewbank with her husband Bruno Gagliasso. You can see more shots from this sequence here and here.

Spend your budget wisely (part 2)

If you’ve not seen my previous post, then I suggest this post will make a lot more sense if you go read that first. Or alternatively, read this one, try and guess what the hell I’m talking about, and then see if you’re right afterwards. Your call.

Assuming you buy my theory of a submissive stress budget, the obvious follow-up question is: What are the implications? How should I use this information?

The simple answer is to be aware of what your submissive budget is and what it costs to spend it on different activities. That’s certainly a necessary thing to do, but hardly radical new thinking. Where I think it gets interesting is when you start planning out scenes with specific goals in mind. Then I think the idea of a budget helps focus the play. You can evaluate if each new element introduced advances you towards the goal or simply wastes budget.

For example, let’s say you both want to do an intense impact play scene. In this case the bigger the whacks the happier everyone ultimately is. This means the budget needs to be focused on riding out the impacts. So make the submissive’s physical position relaxed, give him room to wiggle and don’t add other clips, clamps or spiky things. If you use bondage, make it light and comfortable. Mix the impacts in with things that grow his stress budget, like touch, teasing and visual stimulation. Spend all the budget on the focus on the scene, not on the details around the edges.

As another example, let’s say you want to try out urethral sounding, but that’s a new and scary thing for the submissive. In this case do the sounding as a very separate activity from other play. Making all his budget available for the sounds will maximize the chance of success and minimize the freak-out potential. Then, when he’s had a chance to calibrate, you’ll both have an idea what could be combined with them in future play.

We typically think about kink and BDSM as being all about maximizing intense experiences. But sometimes you want to achieve a particular effect with the minimum amount of stress. For example, tight hoods burn a lot of my stress budget, but I do enjoy sensory deprivation scenes. The solution to this conundrum is to use ear plugs and blindfolds. That achieves the same effect, but leaves a lot of my budget available for adding bondage, breathing control, e-stim devices, etc. In that kind of scene the domme is trying to add a lot of layers, but not burn too much budget on the early ones.

I’ve a few concluding thoughts on this topic I’ll save for a third and final post. Given I was just discussing sensory deprivation, I thought it’d be appropriate to finish with this image. I’m guessing a lot of his budget has been spent on that impressive wrap. Hopefully he’s got enough left to handle whatever she’s planning for the bit left sticking out.

This is obviously from the Divine Bitches site.

Spend your budget wisely

I’m not sure if this post counts as advice, a rant or me just kicking an idea around. Possibly all of the above. It covers some thoughts that have been top of mind recently and I wanted to get them down in an ordered form.

I’ve been thinking about scenes where the participants have a particular goal in mind. For example, doing an intense whip scene, or trying out a new challenging activity or driving someone crazy with a long tease and denial session. The kind of scenes where it’s not a freestyle, as the mood takes us type of play, but where there is a game plan to execute. For those kind of scenes, I think it’s important to realize that all submissives have a particular ‘stress budget’ available, and the game plan has to be designed so it can reach the goal while sticking within that budget.

We often talk about activities, particularly intense ones, in a binary fashion. Either someone can take it or they can’t. We treat each action, like swinging a cane or tying someone up, in isolation. It’s under their limit and OK or it’s over their limit and they safeword. In reality scenes are often a mixture of activities, and even relatively simple ones like basic bondage, take up some of the submissive’s capacity for handling more. For example, I don’t have an issue with gags, and they’re certainly not a limit for me. But I can take more pain and do more intense activities without one than with one.

I think a better way to think about it is as if each submissive has an overall stress budget that can be allocated across different simultaneous activities. For example, if you’ve tied, gagged and put nipple clamps on a submissive, then you’ve already spent some of his budget on three different things. If CBT is next on the menu, it needs to fit in the remaining budget, or you need to lose one of the existing stress points to create more headroom for new play.

Every submissive starts with a different size of budget. And the cost of different activities will consume different amounts of the budget, depending on the person. For example, sticking a hood on me burns a lot of my budget. I can handle it, but mix it with other activities, and I quickly reach my limit. On the other hand, piecing is a relatively low cost item for me. I can handle it even when combined with a lot other things at once. Other submissive may be exactly the reverse of that.

It’s also possible to increase someones budget. Sexual arousal typically makes it possible for a submissive to deal with more intense play. As endorphins and adrenaline flow then the budget for play increases. Of course what triggers that is again unique to the submissive. For me, things that increase my budget include eye contact, physical touch and blending sensuality with the sadism. For someone else it might the sound of the domme’s heels on the floor, a particular outfit or a roleplay scenario.

If my theory of stress budget is correct – what are the implications for constructing scenes? I’ll save that for part two in tomorrow’s post. Until then, I’ll leave you with an image of a budget that’s being spent in many different ways.

I believe this is by Miss Velour. She’s a UK based pro-domme and you can visit her professional site here.

I like to watch

I should give you fair warning, this post might be a bit of a rant. In the past I’ve vented here on topics like flirting with limits and cold playspaces. Today I’m going to take on a very popular BDSM accessory – the blindfold.

I’ll admit upfront that there are good situations for using a blindfold. They clearly work well as part of a sensory deprivation scene. If you want to change a routine up and introduce some surprises then a blindfold can help with that dynamic. They’re also great for beginners to reduce the pressure on the domme. He can let his imagine run wild while she has time to figure out exactly how the cuffs are supposed to work. What I don’t understand is why they’re so popular outside these situations. They often seem to get incorporated because they can be, rather than as a necessary component of a larger plan.

I’m particularly puzzled by how often pro-dommes tend to use them. I think it’s fair to say that most pro-dommes are very attractive women. That might not be a requirement of the job, but it’s unarguably a significant advantage. They also tend to spend a lot of money on exciting fetish gear and sexy footwear. So why on earth would they want to slap a blindfold on me so I don’t get to experience that visual pleasure? I’ve heard that it’s so I can use my imagination, but frankly I have the rest of my life to use my imagination. I’m paying money so, just for a few hours, I can enjoy an amazing reality that’s better than my kinky imagination.

The other strange thing I’ve observed is that blindfolds often seem to get used in initial sessions when the dominant and myself are still getting to know one another. That really doesn’t make much sense to me. It’s tough to quickly build the kind of dynamic necessary for intense play when you only see one another for a couple of hours ever few weeks or months. So why would you want to put up a barrier to make it harder to build the necessary chemistry? If I know someone intimately, then a blindfold can represent an interesting twist on that relationship. But if I met you for the first time 30 minutes ago, a blindfold just means a stranger I can’t see and don’t know is now hurting me. That might be a kink for some, but I doubt it is for most submissives. Pain is only hot in context, and absent a history together, a blindfold takes a lot of that context away.

I’ll admit I’ve had some fun sessions with blindfolds. I remember a scene with Lydia featuring saran wrap mummification, ear plugs, a blindfold and an e-stim device that almost pushed me into a hallucinatory state. I had difficulty speaking at the end of that. But in that case there was a very clear reason for the blindfold, and it was done when Lydia and myself had already played together for a hundred hours plus. I’ve done a lot more sessions with other dommes where the blindfold only subtracted from the scene and made it that much harder to relax into the moment.

Feel free to leave a comment if violently disagree (or agree) with me on this. I’m curious if it’s just me who feels this way, or if there’s a perspective (particularly from the domme side) that I’ve missed.

I believe this image is by Miss May of the Fetish Webmistress site.

Complexity

I received a couple of fascinating comments from Michael on the recent subspace post I published. He concurred with my thoughts that his subspace felt different to the psychology definition of dissociation, but also described how  financial domination had triggered a reaction that did resemble the classical sense of dissociation as a detachment from reality. So prodding different bits of kinky wiring in his brain had triggered quantitatively different types of ‘subspace’ for him. I was trying to decide if subspace was more like X or Y, and it turns out it was both X and Y to the same person.

I think that’s an excellent reminder of the dangers of being too reductive when it comes to kink. There’s a tendency to try and categorize, box and label different activities and dynamics. I do it myself on this blog. Simplifying the world is the way we understand it, but it’s always important to keep in mind that you are simplifying, and reality is messy.

Kink is about power, sex, pleasure, control, fetishization, danger, risk, pain and relationships. You know, all the really simple stuff in life. It touches on our most primal instincts and our deepest emotional triggers. It’s hardly surprising that there are countless ways to experience it and although we may share common labels, we all may have slightly different interpretations of them. Be wary of people making absolute statements or asserting a universal kinky truth. I’m not sure there are any.

Weirdly I’m reminded of an old quote from a British football (soccer to the Yanks) manager called Bill Shanky who said that “Some people believe football is a matter of life and death, I am very disappointed with that attitude. I can assure you it is much, much more important than that.” If that’s true, then dare I add that kink might be even more important (and complex) than football?

In honor of Michael’s financial domination dabbling here’s a lovely piece of artwork from the ever brilliant Sardax.

The Epistemological Problem

My post on ‘The Path to Subspace‘ generated a number of interesting comments. One common factor that came through in them was the problem of definition. How do I know the experience I describe as subspace is similar to that experienced by others? The same could be said of any mental state, but at least life provides us with many common references points to calibrate our understanding of happiness, anger, pain, etc. Subspace is far more complex, with no common path to it and no simple reference markers.

Alex commented that a therapist had attributed subspace to dissociation. At first glance that seems logical. Dissociation can be induced by stress and is described as a detachment from reality. Subspace is reached by stressful BDSM play, and often described as ‘floating away’ or ‘zoning out’, so that seems to fit. Yet, when I read the kind of questions they use to test for dissociation, the match seems less clear. And in fact, when I look back on my own descriptions of subspace, I’m not sure I’ve done a good job of capturing the sensation.

Dissociation is described as detachment from reality, where subspace to me often feels like reality has detached from me. That might seem like silly wordplay, but I think there’s an important difference. In subspace all that matters is the domme, me and the dynamic between us. The surroundings falls away. It’s not that I’m detached, or absent from my body, but that everything in our little bubble seems hyper-real. The domme fills my world with her presence and the sensations of our play. The pain, the smells, the touch, the intimacy and the intensity. It overwhelms me, and turns everything outside our space into an afterthought. It’s not the volume on the world being dialed down, but the volume on the two of us being dialed way way up.

If you’re interested in reading more about the post title then this is worth checking out.

Brain versus no brain

I was thinking today about two different styles of play that rarely get talked about. I say styles of play, but really they’re more categories that specific play styles can be grouped into. I’m not sure they have a well defined and widely understood name, so I’m just going to call them brain and no brain.

No brain is play where the submissive only has to exist and react to the domme in instinctual ways. Simply to be there, in the moment, and twitch, moan or scream is enough. The domme is still gathering feedback to guide the scene, but the submissive can be floating away in subspace, zoning out or trying to push through a pain threshold. There’s no higher level though process needed.

In contrast, play in the brain category involves the domme engaging with the submissive at a more conscious level. She wants to pull him back into the present, catch him off guard and generally stop him relaxing into the scene. This often involves asking questions, or have him verbalize what’s happening, or define some protocol to be followed. There’s an element of right and wrong for the submissive, with the heightened anxiety that brings.

Some styles of play naturally align with one or other of these categories. Mummification and sensory deprivation clearly align well with no brain. Predicament bondage is very much a brain thing. Other styles can work well in either. A domme could cane a submissive and let them focus on processing the sensations while draped comfortably over a padded bench. That would be a no brain approach. Alternatively, she could make him hold a particular pose and count the strokes, while trying to make him slip-up on the count. That’d clearly be in the brain category.

I mention all this because it struck me that these two categories rarely get talked about directly, but actually make a big difference to how play unfolds. In negotiating scenes I’ve seen lots of lists for activities to try and lots of suggestions for different roleplay scenarios, but nobody has ever asked me if I like to use my brain in a scene or not. In my experience, while no domme plays exclusively in one category, a dommes natural style does tend to align more towards one than the other. Some like a lot of verbal interaction and to create a D/s dynamic by keeping the submissive off balance, either literally or figuratively. Others are happy to work more instinctually, and let the submissive drift off into subspace as they build layers of sensation.

I personally prefer a no brain approach to sessions. I like to unplug my conscious mind  and relax into whatever is about to happen. I think I might start calling that preference out in scene negotiation. Maybe it’s something for others to think about in their scene planning?

This rather elaborate predicament bondage set-up by Mistress Sidonia is definitely in the brain category. Hard to relax when you’re rigged up like that. You can see more of Mistress Sidonia’s devilish predicaments in this post at the English Mansion blog.

Better Than Life (continued again)

This post on sex and technology by Girl on the Net reminded me that I meant to write more on VR and Femdom. A few weeks back I posted my observations here and here on the current state of the art. I thought I’d followup with a couple of posts on my ideas for the future. Tomorrow I’ll tackle how it might lead to new types of sexual interaction. For today I’ll focus on a type of sensation play I think is perfect for VR – electrostimulation or e-stim.

I was lucky enough to enjoy a variety of e-stim play on my recent Vegas trip, and it reminded me how versatile it is. Keep it low and it’s almost like a pleasant tickling. Build it up in continuous waves and it can induce stress and sensory overload. Sudden sharp bursts are almost like canes or whips in the focused intensity. Use in with an insertable probe (like an electrified butt plug) and the muscle contractions can create a kind of thrusting/fucking sensation. I wouldn’t claim it’s a direct substitute for other kinds of play, but it does offer a uniquely versatile range of stimulation.

The tricky part with e-stim is getting it working properly. Sticky contact pads often have cheap connections and broken wires. TENS units are limited in functionality, tricky to set up and (in my experience) plagued with dead batteries. Every domme I’ve played with, no matter how organized and well equipped, always seems to be spend a bunch of time fiddling with connections and I trying to figure out why cranking the dial to 11 doesn’t get so much as a whimper out of me. I think it’s an area ripe for a high tech solution.

On the flip side, when it comes to VR, BDSM and haptic devices, there choices are pretty limited. There’s all manner of vibrating plugs, sleeves and insertables, but not a lot else. I’ve nothing against a good buzz applied to the right spot, but it doesn’t exactly scratch my masochistic itch. How about a wearable, custom designed and computer controlled e-stim device?

I’m imagining a tight rubber vest, completely interwoven with a grid of wires, wrapping all around the torso. They’d be insulated from each other, but would touch the flesh every half inch or so with a small contact patch. A connection at the bottom would hook the vest wires to a PC driven switch system and powerful multi-channel e-stim device such as an ErosTek. The e-stim device would provide the charge and the computer software would rapidly switch it across different combinations of wires to create different sensations. It could create delicate sensations that gently traced around the body. Or sharp lines of pain that shoot across like a cane strike. Or big waves of shocks that hit in a single point and then radiated out. Smart software could either coordinate the effects with the VR world  or allow another person to control it in realtime. It wouldn’t simulate human touch, or the sensation of specific implements, but it could produce complex and consistent sensations that correlated with behavior in the virtual world.

I’m possibly certainly unusual, but I’ll take a jacket that’ll shock me in strange and unusual ways over a pleasant buzz in the genitals. I just hope there’s enough technology loving kinkster out there like me to make it worth someone building and selling it.

Here’s someone enjoying some strange and unusual electrical stimulation. No fancy high tech equipment required here. Just a lady with a violet wand – a device can trace its roots back to the 19th century. The image is obviously from the Divine Bitches site.

Better Than Life (cont)

In yesterday’s post I talked about VR porn and some of the issues I’d found when trying it out. While there’s room for improvement, it’s undoubtedly a unique experience that’s worth playing with. Most people trying it for the first time – whether they’re looking at adult content or not – come away suprised and impressed.

I thought for this post I’d try and suggest some kinky femdom niches that might fit with the constraints of the current systems. Unfortunately, my kinks don’t really align to the suggestions below, so I could be way off base here. That said, if I was going to suggest who’s likely to get the most out of the current technology cycle, it’d be people into…

  • Giantesses
    Unless you manage to find a domme who has encountered strange radiation from space, this is pretty tough kink to fulfill. However, I think it works great in VR. With a low camera it’s easy to create a sense of being small and insignificant. You can do the same in regular films, but it’s a way more effective technique in 3D and 360 degree vision.
  • Fetishisation of things like boots, heels, legs, etc.
    I found the inability to touch or interact was frustrating, but if you just want to look at something and admire it from different angles, then VR would probably work better than a regular movie.
  • Humiliation, abuse and teasing.
    There’s a significant existing market for POV shots of dommes insulting and teasing the audience sitting ‘at their feet’ (for example). This’d clearly be a lot more compelling an experience with a life size three dimensional domme doing all the sneering.  If you want to be a pathetic worm who isn’t fit to speak to or touch your domme, then the lack of interaction or feel wouldn’t be a problem.
  • Sadists.
    This one is a bit of an odd one, but I think there might be a market for videos from the top perspective. As a masochist I get off on the physical sensation of pain. That’s hard to simulate currently in VR. A sadist gets off on the reaction of the masochist, and that can be observed in VR. I found one short flogging clip filmed in 3D from from the dominant POV, and it felt like a very different experience than a regular flogging clip. It put me far more inside the top’s head than normal, which was an odd place for a submissive.

The problem with all these ideas right now is the lack of content available and the lack of consumers with the right equipment willing to purchase it. That’s a catch-22 that can only be solved with time. But if I was a kinky VR porn producers, I’d focus my efforts on those four areas and hope for the best.

This Giantesses artwork is by Accasbel on DeviantArt. Of all the kinky niches that’ll work in VR, I think Giantesses is the one that’ll benefit the most.

Better Than Life (or not)

I recently purchased a HTC Vive Virtual Reality system. It’s a technology I’ve always been interested in – I even worked on it back in the 90’s – so I was intrigued to try out the latest and greatest systems. There are lots of companies investing in this space, including Facebook, Sony and Google, but the Vive looks to be one of the more advanced options right now.

Obviously, for the purposes of writing this post, I had to try out some VR porn. My readers deserve a proper investigation into the topic I thought. It would have been almost be selfish of me not to look at it. My top piece of advice for anyone in a similar research mode would be to buy the Virtual Desktop application. It makes browsing and running movies in different VR formats a breeze. When you have to deal with clunky headsets, headphones and twisty cables, the last thing you want to be doing is pulling it all on and off while you try and figure out why the naked people aren’t showing up properly.

Based on the very limited number of movies I’ve tried so far, my impressions are mixed. It does undoubtedly give you a much greater sense of presence and of being ‘in the scene’ than a regular movie. Sometimes, with the performer close and talking directly to camera, it was almost uncomfortable, a sense that my personal space was being invaded. Taking the headset off can be quite disconcerting, the sense of being elsewhere is so strong, that coming back to reality is a jolt.

However, making it more real in one aspect also highlights how unreal it is in others. You can’t touch. You can’t feel. You can look around, but not move around. The actors can’t interact with you. In that sense, it was much more frustrating that regular pornography. Watching regular femdom movies will often make me wish I could do a scene with the domme involved, but I never want to actually be in the scene I’m watching. It wouldn’t make any sense to think that – it’s obviously a movie. VR scenes did create that kind of frustration. I wanted to feel the pain, the pinch and the pull. I wanted that cock getting whipped to really be mine. Instead it was like my body had been anesthetized. Ironically, the virtual reality material actually created a greater desire to go out and play with real people in actual reality.

I’ll follow-up with some more thoughts on this topic in a post tomorrow. In the meantime, here’s a shot of Maitresse Madeline and Mike Panic in a cuckold scene from the Kink new VR studios.

Oh, and 10 kinky bonus points (no redeemable value, offer not applicable in all States, participants must be over 18 years old) to anyone who can tell me where the reference in the title comes from. As a hint, it’s a comedy reference.