Wighead

This drawing is by the artist Wighead for a 1930’s novel entitled ‘A Genoux Esclave’. You can see more from the book here and there’s an article on the potential identity of the artist here. I discovered the art and its background via this tweet.

These days the idea of a French maid in a sexy black and white outfit with stockings and a little cap exists almost entirely in fetish scenes and silly Halloween outfits. It has become purely a sexual trope. Yet black and white maid outfits in the 19th and early 20th century were a real thing. They were just far more practical. Here’s a picture of one I found from the same era. So what we’re looking at here is a fetishistic interpretation of what was a contemporary uniform of the time. I find it interesting to look at the artwork from that angle. It has a different feel when you consider it from the perspective of a 1930’s kinkster.

Hanging on the Telephone

Here’s a final post in my short series on making connections with pro-dommes in the pre-internet era. This is a photograph of what I’m sure was the expectation/hope in every submissive’s mind when he plucked a card from a phonebox and got up the nerve to dial (quite literally) the number. A fabulous domme clad in full fetish gear, whip in hand, just waiting for his call. That’s very different to today of course, where the submissive assumes the domme will be checking her email, while clad in full fetish gear, whip in hand, just waiting for his message.

I’m afraid I don’t have any background on the image. I found it via this tweet by mrunderheel. I’d guess it’s from the late 70’s or early 80’s.

Vintage Breathplay

It’s rare to see this activity in a vintage shot. Corporal punishment and bondage is fairly common in older shots, and medical play not unheard of, but I can’t recall seeing breathplay before.

It makes me smile, as it’s an activity I love. I particularly like the eye contact they are making, as that’s a key part of any breathplay scene for me. People talk about power exchange as an abstract D/s concept, but breathplay creates a focus that crystallizes that exchange. The power over someone’s breath is literally life and death. If I’m giving that up then I want that other person to be very much in that moment with me.

I found this image via this tweet.

Jennifer Brooks

A final image in this vintage themed series of posts. Miss Brooks below is Jennifer Brooks who started out as a spanking model and gradually shifted into playing primarily dominant roles over time. I knew her from her work in the Leda videos from Ed Lee. I hadn’t realized until I start researching this post that she actually went on to start her own company for spanking films called Brooks Applications and also published the Femdom magazine Behind the Scene. You can see an example cover from Issue 4 (1993) of that here

I’m pretty certain I’ve browsed examples of her latter work, without actually realizing it wasn’t associated with Leda. My bad. She shut down her company just over 10 years ago in 2009. Whatever you’re doing now Miss Brooks, thanks for all the great magazines and videos you created over the years.

I feel I can’t complete this post without a callout to the text alongside the cane image above. It’s not often that kinky porn will include a phrase like “Guaranteed to break the will of the most wretched curmudgeon…” Kudos to whoever wrote that caption. As a man who sees curmudgeon in his future, I’d agree the cane is an excellent implement to break that particular affliction. 

Name that Toy

Today’s vintage shot features a rather strange toy. It looks like a feather duster that got attacked by moths or a device for scrubbing out boiler pipes. I’m not sure if it’s a tickly thing, a slappy thing or a hitty thing. A softer way to cane someone maybe?

I’ve seen similar toys in other old kinky shots, so it was clearly a thing you could buy back then. I’ve never encountered it in a modern playspace or seen one for sale online, so presumably it wasn’t a lot of fun to use. Any ideas from readers on what exactly this strange thing is and how it’s used?

Doggishness

Continuing the vintage theme, here is what looks like an early example of public humiliation and/or puppy play. I say ‘looks like’, because it turns out that this isn’t a D/s or porn shot, but is in fact Art. I originally guessed it was a domme in 60’s London, but it was actually shot in Vienna in 1968 as a piece called “From the Portfolio of Doggishness.” Clearly I don’t have to explain to my highly educated readers what makes this art rather than a couple of kinksters screwing with the locals for giggles, as I’m sure it’s self-evident.

The woman holding the leash is Valie Export and I have to say I do like her slightly disinterested pose and expression here. I would say it’s hot, but that obviously wouldn’t be appropriate for a serious artistic piece of this nature. 

As a slightly random observation, I do think it’s funny that the image of Lucy SweetKill I featured recently appears to capture the idea of Doggishness far more accurately than this image does. Almost all dogs are way more enthusiastic about going for a walk than the man (Peter Weibel) is here.

Vintage Tech. Timeless Kink.

I feel a series of old vintage femdom photographs coming on. We’ll start with a slightly unusual example. Normally it’s the fashion choices or badly performed kink activities that identify an image as vintage. In this case the fashion choice and the kink is fairly timeless. It’s the technology in the background that really gives it away.

For any of my readers under 30, that’s a TV with an aerial on top of it. You’d have to go and wiggle the aerial to get a decent signal on the channel you’d chosen. Fortunately, you’d have already walked across the room to change the channel anyway, so you were perfectly placed to mess with the aerial at the same time.  That’s efficiency for you. 

That’s Hedy!

Continuing the theme of vintage shots of women holding whips badly (it’s a very narrow fetish niche), here’s Hedy Lamarr in a shot from the 1946 movie ‘The Strange Woman‘.  I’ve blogged about the awesomeness of Hedy before, but even a fan like myself would have to admit, she doesn’t exactly look committed to the role of fearsome whip wielder in this shot. You get the impression she has no idea why she’s been given it in the first place.

The post title obviously derives from a certain well known comedy film. Amusingly, Hedy Lamarr actually sued for $10M over the use (or abuse) of her name and ended up accepting money (presumably a lot less) in an out of court settlement.

Happy New Decade!

I hope all my readers had an enjoyable end to their year and that the next decade will bring them many good things and new experiences. From a personal perspective the last ten years have been an amazing period of kinky experimentation and personal growth. I’m hoping I can continue that growth for at least another decade to come.

We’re now heading into the twenties, which means we’ve finally got a sensible name for our current period of history. It’s also an evocative one, given the huge cultural and social changes that happened in the previous twenties.  This image is from around that era and was a product of Studio Biederer. The clothing may be a touch more conservative than today’s typical femdom whipping scene, but clearly people’s kinky proclivities haven’t changed in a hundred years.

I find it impossible to post an image from Studio Biederer without also mentioning that the two brothers behind it were both Jewish, and killed by the Nazi’s in the holocaust. People’s kinks may not have changed in the last hundred years, but neither has their capacity for racism, violence and cruelty. Something we should all keep at the forefront of our minds as we move forward into the next decade.

Nubian Nympho Anna Amore’s Encore Pee-formance!

Despite the cesspool that is social media and the dangers of SESTA/FOSTA, I think it’s fair to suggest that the internet has generally been good for sex workers and pornography. The explosion in both the creation and consumption of porn would tend to confirm that. However, there have been causalities. One of them is the coverline writers for pornographic magazines. For example, take this copy of Nugget magazine from Dec ’98. Twitter, blogs and clipstores just don’t deliver writing like “Sommer Rain! Public pisser gushes gold on her front porch!” That’s a writer who obviously grew up reading the British tabloid press.

I’d never heard of Nugget magazine, but apparently it ran from 1956 to 2006. Over that time covers changed from examples like this one from 1959 featuring a new story by Jack Kerouac to the one above. I’m guessing that the article on Mistress Paris, the Big Titted Terror, isn’t quite up to to the same writing standards as the ’59 piece by Kerouac.